Institute of Acoustics

SOME RESULTS ON THE OBJECTIVE CHARACTERISATION OF ROOM ACOUSTICAL QUALITY IN BOTH LABORATORY AND REAL ENVIRONMENTS

JP JULLIEN, E KAHLE, S WINSBERG, O WARUSFEL

ACOUSTIC DESIGN OF REFLECTORS IN AUDITORIA

THE THEATRICAL AND ACOUSTIC SIGNIFICANCE OF THE FORESTAGE IN OPERA HOUSE DESIGN AND PRACTICE FROM THE EIGHTEENTH TO THE TWENTY FIRST CENTURIES

THE SIMPLE DESIGN OF SHOEBOX CONCERT HALLS AND THE SHORTCOMINGS

ACOUSTICS OF THE 'ARSENAL' CONCERT HALL IN METZ

UNCOLORED ACOUSTIC ENHANCEMENT THROUGH MULTIPLE TIME VARIANT PROCESSORS

INVISIBLE ACOUSTICS IN THE RESTORATION OF THE GRAND THEATRE DE BORDEAUX

ARCHITECTUAL ACOUSTICS: RECENT DEVELOPMENTS AND EDUCATION

SPAIN GOES CLASSICAL - 10 YEARS OF CONVERT HALL AND OPERA HOUSES

A GARCIA SENCHERMES

Acoustics, Architecture and Auditoria 1992

Subscribe to