Library

AUDITORIUM ACOUSTICS 2018

Location

GERMANY

Conference Series

Institute of Acoustics Proceedings

Volume

40

Part

3

Year

2018

Papers

INFLUENCE OF LATE DIRECTIONAL REVERBERATION ON ENVELOPMENT

NATURALLY VENTILATED AND HYBRID-VENTILATED PERFORMANCE SPACES

V KOUFADAKIS , B HARRISON , S BROWN , L DELLATORRE

ACOUSTIC MODELLING PARAMETERS OF FLYTOWER THEATRES PRESENTATION OF A CASE STUDY

v CHAVEZ , S PERIGOT

ON THE INFLUENCE OF THE ROOM SHAPE ON THE REVERBERATION TIME AND THE LATERAL EFFICIENCY – INSPIRED BY THE ELBPHILHARMONIE HAMBURG

CONCERT HALLS SHOULD PRIMARY PLEASE THE EAR NOT THE EYE

T LOKKI , J PATYNEN

CONSIDERATION ON HARSH TONE CONTROL WITH FINE SCALE DIFFUSIVE SURFACE

ATTACK THE ATTACK REVERBERATION INFLUENCES ATTACK AND TIMBRE

VARIABLE CONTROL OF THE ROOM RESPONSE IN PERFORMANCE HALLS BY NATURAL OR ELECTRONIC MEANS

T BEHRENS , W AHNERT

THE ACOUSTIC DESIGN OF A MULTIPURPOSE HALL

S VEHVILAINEN , N NAVERI , H MOLLER

ARRAY METHOD FOR IN SITU MEASUREMENT OF INCIDENT AND REFLECTION SOUND INTENSITIES ON ROOM SURFACES

S KOYANAGI , N NISHIHARA

LG ARTS CENTRE SEOUL SOUTH KOREA CONCEPTION OF A PERFORMING ART CENTRE IN SOUTH KOREA AND CULTURAL DIFFERENCES

S JOUAN A RANDRIANOELINA, A RANDRIANOELINA

CONCERT HALL ACOUSTICS – 2008 LEO BERANEK IDENTIFIES EDT AS METRIC BEST CORRELATED WITH SUBJECTIVE PREFERENCE

HOW A STRIPPED-BACK OPERA HOUSE DESIGN PRODUCED ACCLAIMED ACOUSTICS

R ORLOWSKI , T WULFRANK

ADVANTAGES AND DISADVANTAGES OF SURROUND TYPE CONCERT HALLS

IMPULSE RESPONSE COMPARISON METRICS

R ESSERT F D’AMELIO , F D’AMELIO

HOW SINGERS ADAPT TO ROOM ACOUSTICAL CONDITIONS

P LUIZARD , E BRAUER , S WEINZIERL , N HENRICH BERNARDONI

ACOUSTIC CONSIDERATIONS IN THE REFURBISHMENT OF A 1960’S BRUTALIST CONCERT HALL

P LAUKKANEN , R ORLOWSKI

SPEECH INTELLIGIBILITY AND REVERBERATION TIME AT HIGHER EDUCATION TEACHING SPACES

ARTIFICIAL INTELLIGENCE AND THE GENERATION OF EMOTIONAL RESPONSE TO SOUND AND SPACE

p BAVISTER , S GAGE

AN EXPERIMENTAL AND NUMERICAL APPROACH TO THE ACOUSTICAL DESIGN OF THE CONVENTO SÃO FRANCISCO AUDITORIUM IN COIMBRA

CIRCULAR CONCERT HALLS AND POSSIBLE WAYS TO IMPROVE THEIR ACOUSTICS

N KANEV A LIVSHOTS, A LIVSHOTS

NEW, VARIABLE ACOUSTIC PANEL TECHNOLOGY 1 s ≤ RT ≤ 2 s

N ADELMAN-LARSEN

SPECTRAL PREFERENCES OF REVERBERATION TIME IN HALLS THAT PRESENT POP AND ROCK MUSIC

N ADELMAN-LARSEN , CH JEONG , B STOFRINGSDAL

A MEASUREMENT DATABASE OF US AND EUROPEAN CONCERT HALLS FOR REALISTIC AURALIZATION AND STUDY OF INDIVIDUAL PREFERENCE

MT NEAL , MC VIGEANT

ACOUSTIC TESTS WITH 1 to 10-SCALE MODEL ELBPHILHARMONIE CASE STUDY

M QUIQUEREZ , K OGUCHI , M KOMODA , D BECKMANN , Y TOYOTA

OVERVIEW OF THE ACOUSTIC DESIGN OF THE BRADSHAW HALL AT THE ROYAL BIRMINGHAM CONSERVATOIRE

STAATSOPER UNTER DEN LINDEN BERLIN

M VERCAMMEN , M LAUTENBACH

SIMULATIONS AND SUBJECTIVE RATING OF ACOUSTIC CONDITIONS IN A SYMPHONY ORCHESTRA A CASE STUDY

BACKGROUND NOISE LEVEL MEASUREMENT WITH AND WITHOUT AUDIENCE IN A CONCERT HALL

KULTURPALAST DRESDEN

M LAUTENBACH , M VERCAMMEN

ASSESSMENT OF PERCEPTUAL ATTRIBUTES OF CLASSROOM ACOUSTICS REAL VERSUS SIMULATED ROOM

M BLAU , A BUDNIK , S van de PAR

DEVELOPMENTS IN CONCERT HALL ACOUSTICS IN THE 1960S THEORY AND PRACTICE

THE NEW TEATRO “AMINTORE GALLI” IN RIMINI ACOUSTIC DESIGN AND MEASUREMENTS ON DIFFUSING PANELS

L TRONCHIN , A FARINA , S CAMPANINI , P FIUMANA

ACOUSTICAL DESIGN OF ELBPHILHARMONIE

K OGUCHI , M QUIQUEREZ , Y TOYOTA

LEARNING ABOUT HALL ACOUSTICS AND PERCEPTION FROM MULTI-DIRECTIONAL AUDIO RECORDINGS AND CONVOLUTIONS

K HOCHGRAF , J SACKS

PRESENTATION OF A CASE STUDY CONCERT HALLS RELATED TO REVERBERATION AND LOUDNESS

JY JEON , HI JO , KH KWAK , HW KIM

COMMUNICATIONS WITH LEO BERANEK

DISCUSSION OF THE RELATION BETWEEN INITIAL TIME DELAY GAP (ITDG) AND ACOUSTICAL INTIMACY LEO BERANEK’S FINAL THOUGHTS ON THE SUBJECT DOCUMENTED

THE IMPORTANCE AND INFLUENCE OF DETAIL IN ROOM ACOUSTIC CALCULATIONS – A COMPARISON BETWEEN GROSSER MUSIKVEREIN SAAL

JI GUSTAFFSON , E GJERS , M LUNDGREN , N KRAVANJA

ENHANCEMENT OF BASS FREQUENCY ABSORPTION IN FABRIC-BASED ABSORBERS

SOUND ABSORPTION OF SLAT STRUCTURES FOR PRACTICAL APPLICATIONS

J RIIONHEIMO , N NAVERI , T LOKKI , H MOLLER

DYNAMIC RESPONSIVENESS IN CONCERT HALLS AS SOURCE OF EMOTIONAL IMPACT

J PATYNEN , T LOKKI

THE ACOUSTICIAN WHO HAS TO WEAR HEARING AIDS

THE PROBLEM OF WELL-BALANCED DYNAMICS BETWEEN VARIOUS ORCHESTRAL INSTRUMENTS IN CONCERT HALLS OF DIFFERENT SHAPE

OPTIMIZATION OF A DIFFUSER GEOMETRY USING PARAMETRIC MODELING TOOLS AND FINITE DIFFERENCE TIME-DOMAIN SIMULATIONS

J MEYER , T LOKKI

3D MODELLING PHOTOGRAMMETRY TO SUPPORT ACOUSTIC MEASUREMENTS AND DERIVE GEOMETRIES FOR SIMULATION

J LLORCA, I WITEW , E REDONDO , M VORLANDER

OPTIMAL REVERBERATION IN JAZZ VENUES EXPERIMENTAL INVESTIGATION

J KARAGIANNIS , MA CHOUNTI , AG SOTIROPOULOU

ASSESSING THE “QUALITY-OF-THE-ACOUSTICS” AT LARGE

MULTI-EXPONENTIAL DECAY CURVES IN AUDITORIUMS

J BALINT , F KAISER

AUTHENTIC AURALIZATION OF ACOUSTIC SPACES BASED ON SPHERICAL MICROPHONE ARRAY RECORDINGS

J AHRENS , H HELMHOLTZ , C ANDERSSON

WAVE FIELD ANALYSIS IN CONCERT HALLS USING LARGE SCALE ARRAYS

IB WITEW , M VORLANDER

CONSIDERING THE BASS RATIO IN ACOUSTICALLY OUTSTANDING CONCERT HALLS

ACOUSTICAL RENOVATION OF THE JYVÄSKYLÄ SINFONIA REHEARSAL HALL

H NIEMI , M KYLLIAINEN , J LIETZEN

ON THE ARCHITECTURAL IMPLICATIONS OF 'DIFFUSING SURFACES'

ACOUSTICAL DIMENSIONS FOR PRODUCTION OF PRESENCE IN MUSIC SPACES

THE ACOUSTIC DESIGN OF A MULTIPURPOSE HORSESHOE HALL AND A DRAMA HALL AT DRUSKININKAI CULTURE CENTER

G KAASIK , N NAVERI , H MOLLER , R PISKARSKAS

AN ACTIVE LOUDSPEAKER POINT SOURCE FOR THE MEASUREMENT OF HIGH QUALITY WIDE BAND ROOM IMPULSE RESPONSES

IF DRONES HAD EARS DESIGNING AUDITORIUMS FOR REMOTE AND DYNAMIC RECORDING

A STUDY OF THE JUST NOTICEABLE DIFFERENCE OF EARLY DECAY TIME (EDT)

F DEL SOLAR DORREGO , MC VIGEANT

THE BOCHUM CONCERT HALL - THE CHALLENGE OF SMALL CONCERT HALLS FOR LARGE ORCHESTRAS ON LOW BUDGETS

E MOMMERTZ , E KAHLE

THEATERS INSIDE COUNTRYSIDE RAILWAY STATIONS

E MERIDA , F GARRY , E BOUSSELY , C SEMIDOR

HALLS WITHOUT QUALITIES – OR THE EFFECT OF ACOUSTIC DIFFUSION

DYNAMIC SPATIAL RESPONSIVENESS IN CONCERT HALLS

E GREEN , E KAHLE

AURALIZATIONS USE IN ACOUSTICAL DESIGN RESULTS OF A SURVEY STUDY

D THERY , V BOCCARA , BFG BFG KATZ

LOCALIZATION, LOUDNESS, AND PROXIMITY

THE ROLE OF THE RESONANT “HARDCAP” IN MODERN CONCERT HALL DESIGN

C BLAIR , P SCARBROUGH , J NEPOMUCENO

EXPECTED SOUND LEVELS AT CONCERT VENUES FOR AMPLIFIED MUSIC

ASSESSMENT OF WAVE-BASED METHODS FOR ROOM ACOUSTIC SIMULATIONS

B MONDET , J BRUNSKOG , CH JEONG , CL CHRISTENSEN , JH RINDEL

WAVE-BASED ROOM ACOUSTICS MODELLING RECENT PROGRESS AND FUTURE OUTLOOKS

B HAMILTON, S BILBAO

TWO NEW AND VERY DIFFERENT THEATRES IN DENMARK

AC GADE , H JOHANESSEN , J NIROS

THE AUDIENCE MICROPHONE — USING SMARTPHONES AS RECEIVERS FOR OCCUPIED ROOM ACOUSTIC MEASUREMENTS

SIMOPERA – A RESEARCH PROJECT ON THE SOUND LEVEL REDUCTION IN THE ORCHESTRA PIT OF THE DEUTSCHE OPER BERLIN

A SCHLESINGER , JM KIMMICH , M OCHMANN , S FRANK

ARCHITECTURAL PATTERNING AND ITS INFLUENCE ON SOUND - A CASE FOR VISUAL ANALYSIS

STAGE MACHINERY NOISE - WHAT LIMITS ARE APPROPRIATE

A MELNIKOV , I WITEW , M MAEDER , M GATT , M SCHEFFLER , S MARBURG

ST. CECILA’S CONCERT HALL, EDINBURGH

A BUDD , EMJ TILBURY

PRESENTING OPERA IN THE 21ST CENTURY AN APPROACH COMBINING MULTIPLE INDOOR OUTDOOR VENUES

A BASSUET , R PATEL , R R BIZIOREK et al , et al

ACOUSTIC CONDITIONS IN ORCHESTRA PITS ARE METADIFFUSERS A POTENTIAL SOLUTION

A BALLESTERO , DJ SHEARER , S DANCE , H AYGUN